136 bars of 4/4 at 150 BPM, about 3:38 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 16-18, 20-21 and 26-28, and 3 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 37 times: bars 1, 5, 7, 15, 23, 25 and 31 more.
16 more fills are written out on the fills page.
136 bars across 11 sections: 53 keep time, 37 are fills, 33 are stops and 3 are silent. The longest unbroken stretch of time is bars 8-14.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
136 bars, about 3:38 at the written tempo. The course breaks it into 52 exercises over 12 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 37 times: bars 1, 5, 7, 15, 23, 25 and 31 more.