76 bars of 4/4 at a walking 99 BPM, 3:04 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-4, 19 and 21, and 8 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 26, 38, 56, 57, 58, 68 and 4 more.
1 more fill is written out on the fills page.
76 bars across 10 sections: 52 keep time, 10 are fills and 1 is silent. The longest unbroken stretch of time is bars 14-22.
99 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
76 bars, about 3:04 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 26, 38, 56, 57, 58, 68 and 4 more.