97 bars of 4/4 at a walking 101 BPM, 3:49 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 73-88 -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 17 times: bars 5, 9, 13, 33, 37, 41 and 11 more.
5 more fills are written out on the fills page.
114 bars across 13 sections: 48 keep time, 18 are fills, 4 are stops and 38 are silent. The longest unbroken stretch of time is bars 74-88.
101 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
97 bars, about 3:49 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 5, 9, 13, 33, 37, 41 and 11 more.