164 bars at 180 BPM -- fast, and 3:39 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-11, 47-53 and 71 -- 9.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 52 times: bars 15, 16, 32, 34, 36, 38 and 46 more.
12 more fills are written out on the fills page.
164 bars across 19 sections: 73 keep time, 52 are fills, 15 are stops and 12 are silent. The longest unbroken stretch of time is bars 5-14.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
164 bars, about 3:39 at the written tempo. The course breaks it into 62 exercises over 18 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 52 times: bars 15, 16, 32, 34, 36, 38 and 46 more.