133 bars of 4/4 at 138 BPM, about 3:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-24, 27-29 and 31-32, and 5 more places -- 23.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 38 times: bars 3, 5, 20, 21, 22, 25 and 32 more.
9 more fills are written out on the fills page.
133 bars across 10 sections: 79 keep time, 39 are fills and 2 are stops. The longest unbroken stretch of time is bars 85-98.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
133 bars, about 3:50 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 38 times: bars 3, 5, 20, 21, 22, 25 and 32 more.