85 bars of 6/4 -- not four -- at 200 BPM, 2:09 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-2, 4-5 and 7-8, and 1 more place -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 24 times: bars 2, 8, 11, 13, 14, 15 and 18 more.
5 more fills are written out on the fills page.
85 bars across 8 sections: 29 keep time, 24 are fills, 6 are stops and 22 are silent. The longest unbroken stretch of time is bars 21-28.
200 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
85 bars, about 2:09 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 24 times: bars 2, 8, 11, 13, 14, 15 and 18 more.