65 bars of 4/4 at a walking 80 BPM, 3:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-24, 26-29 and 47-48, and 1 more place -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 20, 21, 22, 25, 33, 37 and 4 more.
2 more fills are written out on the fills page.
65 bars across 7 sections: 44 keep time, 10 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 5-19.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
65 bars, about 3:15 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 20, 21, 22, 25, 33, 37 and 4 more.