64 bars of 4/4 at a walking 80 BPM, 3:12 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-23, 53-56 and 60, and 1 more place -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 19, 20, 21, 24, 25, 32 and 6 more.
3 more fills are written out on the fills page.
64 bars across 7 sections: 39 keep time, 12 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 5-18.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
64 bars, about 3:12 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 19, 20, 21, 24, 25, 32 and 6 more.