100 bars of 4/4 at 115 BPM, about 3:27 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 9 and 13-14, and 23 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 17 times: bars 54, 55, 56, 57, 58, 59 and 11 more.
1 more fill is written out on the fills page.
100 bars across 5 sections: 75 keep time, 17 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 4-27.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
100 bars, about 3:27 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 17 times: bars 54, 55, 56, 57, 58, 59 and 11 more.