112 bars of 4/4 at 130 BPM, about 3:23 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 57-58, 61 and 64, and 8 more places -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 17 times: bars 10, 22, 38, 40, 42, 46 and 11 more.
6 more fills are written out on the fills page.
112 bars across 15 sections: 67 keep time, 17 are fills, 13 are stops and 9 are silent. The longest unbroken stretch of time is bars 79-87.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
112 bars, about 3:23 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 10, 22, 38, 40, 42, 46 and 11 more.