121 bars of 4/4 at 154 BPM, about 3:00 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8-10, 12-14 and 24-26, and 4 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 19 times: bars 11, 27, 43, 47, 48, 49 and 13 more.
4 more fills are written out on the fills page.
121 bars across 11 sections: 48 keep time, 19 are fills, 29 are stops and 15 are silent. The longest unbroken stretch of time is bars 31-39.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
121 bars, about 3:00 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 11, 27, 43, 47, 48, 49 and 13 more.