25 bars of 4/4 at 153 BPM, about 0:39 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7 and 9-11 -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 11 times: bars 8, 15, 16, 17, 18, 19 and 5 more.
25 bars across 3 sections: 10 keep time, 11 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-4.
153 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 41 out of 100; the rest of the number is everything around it.
25 bars, about 0:39 at the written tempo. The course breaks it into 11 exercises over 4 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 11 times: bars 8, 15, 16, 17, 18, 19 and 5 more.