216 bars of 3/4 -- not four -- at 180 BPM, 3:36 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 46, 48 and 50, and 40 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 70 times: bars 3, 5, 9, 13, 15, 17 and 64 more.
16 more fills are written out on the fills page.
216 bars across 11 sections: 70 keep time, 70 are fills, 50 are stops and 20 are silent. The longest unbroken stretch of time is bars 129-137.
180 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
216 bars, about 3:36 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 70 times: bars 3, 5, 9, 13, 15, 17 and 64 more.