130 bars of 4/4 at 148 BPM, about 3:30 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-4, 6 and 11, and 8 more places -- 22.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 15 times: bars 9, 10, 14, 22, 24, 26 and 9 more.
4 more fills are written out on the fills page.
130 bars across 14 sections: 77 keep time, 15 are fills, 14 are stops and 8 are silent. The longest unbroken stretch of time is bars 116-130.
148 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
130 bars, about 3:30 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 9, 10, 14, 22, 24, 26 and 9 more.