92 bars of 4/4 at a walking 109 BPM, 3:23 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13, 15 and 17-19, and 7 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 8, 36, 38, 62, 71, 72 and 3 more.
1 more fill is written out on the fills page.
92 bars across 13 sections: 54 keep time, 9 are fills, 11 are stops and 14 are silent. The longest unbroken stretch of time is bars 14-27.
109 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
92 bars, about 3:23 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 8, 36, 38, 62, 71, 72 and 3 more.