152 bars of 4/4 at 145 BPM, about 4:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 22 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 26 times: bars 8, 16, 39, 40, 48, 52 and 20 more.
7 more fills are written out on the fills page.
152 bars across 15 sections: 65 keep time, 26 are fills, 21 are stops and 30 are silent. The longest unbroken stretch of time is bars 18-34.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
152 bars, about 4:12 at the written tempo. The course breaks it into 47 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 26 times: bars 8, 16, 39, 40, 48, 52 and 20 more.