110 bars of 4/4 at 140 BPM, about 3:09 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-22, 24 and 26, and 9 more places -- 24.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 22 times: bars 23, 25, 37, 38, 39, 40 and 16 more.
2 more fills are written out on the fills page.
110 bars across 16 sections: 47 keep time, 22 are fills, 3 are stops and 27 are silent. The longest unbroken stretch of time is bars 10-17.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
110 bars, about 3:09 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 22 times: bars 23, 25, 37, 38, 39, 40 and 16 more.