145 bars of 4/4 at 148 BPM, about 4:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-8, 10-12 and 14-16, and 7 more places -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 22 times: bars 13, 17, 37, 45, 51, 53 and 16 more.
7 more fills are written out on the fills page.
145 bars across 12 sections: 72 keep time, 22 are fills, 29 are stops and 14 are silent. The longest unbroken stretch of time is bars 57-68.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
145 bars, about 4:07 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 22 times: bars 13, 17, 37, 45, 51, 53 and 16 more.