50 bars at 192 BPM -- fast, and 1:03 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-21, 24 and 27, and 7 more places -- 32.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 13 times: bars 11, 12, 13, 14, 15, 16 and 7 more.
1 more fill is written out on the fills page.
50 bars across 5 sections: 20 keep time, 13 are fills, 4 are stops and 10 are silent. The longest unbroken stretch of time is bars 27-33.
192 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
50 bars, about 1:03 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 11, 12, 13, 14, 15, 16 and 7 more.