129 bars of 4/4 at 120 BPM, about 4:16 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27, 29 and 31, and 9 more places -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 10 times: bars 14, 26, 42, 50, 78, 86 and 4 more.
3 more fills are written out on the fills page.
129 bars across 17 sections: 66 keep time, 10 are fills, 20 are stops and 14 are silent. The longest unbroken stretch of time is bars 61-69.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
129 bars, about 4:16 at the written tempo. The course breaks it into 54 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 14, 26, 42, 50, 78, 86 and 4 more.