97 bars of 4/4 at a walking 105 BPM, 3:42 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 37-39, and 5 more places -- 30.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 13 times: bars 20, 24, 28, 36, 40, 44 and 7 more.
6 more fills are written out on the fills page.
97 bars across 10 sections: 53 keep time, 13 are fills, 1 is a stop and 24 are silent. The longest unbroken stretch of time is bars 13-19.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
97 bars, about 3:42 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 13 times: bars 20, 24, 28, 36, 40, 44 and 7 more.