174 bars of 4/4 at 128 BPM, about 5:26 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12, 29-30 and 33-36, and 12 more places -- 18.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 14 times: bars 9, 48, 54, 103, 111, 115 and 8 more.
2 more fills are written out on the fills page.
174 bars across 15 sections: 98 keep time, 14 are fills, 32 are stops and 8 are silent. The longest unbroken stretch of time is bars 13-24.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
174 bars, about 5:26 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 9, 48, 54, 103, 111, 115 and 8 more.