75 bars of 4/4 at 120 BPM, about 2:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-7, 25-30 and 71-74 -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 17 times: bars 1, 15, 16, 20, 24, 43 and 11 more.
1 more fill is written out on the fills page.
75 bars across 11 sections: 44 keep time, 17 are fills and 1 is a stop. The longest unbroken stretch of time is bars 2-7.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
99 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 85 out of 100; the rest of the number is everything around it.
75 bars, about 2:30 at the written tempo. The course breaks it into 29 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 17 times: bars 1, 15, 16, 20, 24, 43 and 11 more.