129 bars of 4/4 at 125 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-15, 17-19 and 29-31, and 3 more places -- 14.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 21 times: bars 16, 20, 32, 36, 40, 44 and 15 more.
6 more fills are written out on the fills page.
129 bars across 15 sections: 90 keep time, 21 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 72-84.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
97 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 82 out of 100; the rest of the number is everything around it.
129 bars, about 4:08 at the written tempo. The course breaks it into 45 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 21 times: bars 16, 20, 32, 36, 40, 44 and 15 more.