69 bars of 4/4 at 125 BPM, about 2:12 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-35, 37-39 and 41-47 -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 11 times: bars 8, 12, 16, 20, 22, 24 and 5 more.
5 more fills are written out on the fills page.
69 bars across 8 sections: 40 keep time, 11 are fills, 6 are stops and 8 are silent. The longest unbroken stretch of time is bars 41-48.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
69 bars, about 2:12 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 11 times: bars 8, 12, 16, 20, 22, 24 and 5 more.