135 bars at 170 BPM -- fast, and 3:11 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10, 12-16 and 26-28, and 12 more places -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 22 times: bars 9, 17, 21, 25, 33, 38 and 16 more.
8 more fills are written out on the fills page.
135 bars across 19 sections: 53 keep time, 22 are fills, 36 are stops and 8 are silent. The longest unbroken stretch of time is bars 1-8.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
135 bars, about 3:11 at the written tempo. The course breaks it into 50 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 22 times: bars 9, 17, 21, 25, 33, 38 and 16 more.