238 bars of 6/4 -- not four -- at 118 BPM, 11:23 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 51, 53 and 55, and 2 more places -- 6.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 64 times: bars 4, 8, 9, 12, 35, 39 and 58 more.
18 more fills are written out on the fills page.
238 bars across 17 sections: 75 keep time, 64 are fills, 13 are stops and 70 are silent. The longest unbroken stretch of time is bars 115-121.
118 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
238 bars, about 11:23 at the written tempo. The course breaks it into 72 exercises over 20 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 64 times: bars 4, 8, 9, 12, 35, 39 and 58 more.