152 bars of 4/4 at 120 BPM, about 5:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-19, 21-24 and 33-37, and 4 more places -- 25.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 31 times: bars 20, 26, 30, 32, 38, 40 and 25 more.
8 more fills are written out on the fills page.
152 bars across 13 sections: 68 keep time, 31 are fills, 19 are stops and 24 are silent. The longest unbroken stretch of time is bars 101-115.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
152 bars, about 5:25 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 31 times: bars 20, 26, 30, 32, 38, 40 and 25 more.