200 bars of 4/4 at a walking 105 BPM, 7:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 21-23, and 6 more places -- 23.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
29 fills to learn, played 38 times: bars 8, 12, 16, 20, 24, 25 and 32 more.
25 more fills are written out on the fills page.
200 bars across 24 sections: 115 keep time, 38 are fills, 6 are stops and 11 are silent. The longest unbroken stretch of time is bars 159-173.
105 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
88 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
200 bars, about 7:28 at the written tempo. The course breaks it into 84 exercises over 27 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
29 fills to learn, played 38 times: bars 8, 12, 16, 20, 24, 25 and 32 more.