131 bars of 4/4 at 122 BPM, about 4:18 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-11, 14-15 and 18-21, and 6 more places -- 11.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 26 times: bars 27, 28, 37, 43, 57, 58 and 20 more.
5 more fills are written out on the fills page.
131 bars across 12 sections: 85 keep time, 26 are fills, 4 are stops and 2 are silent. The longest unbroken stretch of time is bars 7-15.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
131 bars, about 4:18 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 26 times: bars 27, 28, 37, 43, 57, 58 and 20 more.