106 bars of 4/4 at 112 BPM, about 3:47 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 57-59, and 3 more places -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 19 times: bars 8, 19, 20, 28, 33, 34 and 13 more.
1 more fill is written out on the fills page.
106 bars across 15 sections: 53 keep time, 19 are fills, 10 are stops and 11 are silent. The longest unbroken stretch of time is bars 22-27.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
106 bars, about 3:47 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 19 times: bars 8, 19, 20, 28, 33, 34 and 13 more.