100 bars of 4/4 at a walking 108 BPM, 3:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 10-12, and 9 more places -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 18 times: bars 1, 23, 24, 25, 37, 41 and 12 more.
5 more fills are written out on the fills page.
100 bars across 9 sections: 68 keep time, 18 are fills and 1 is a stop. The longest unbroken stretch of time is bars 2-16.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
100 bars, about 3:42 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 1, 23, 24, 25, 37, 41 and 12 more.