75 bars of 4/4 at a walking 104 BPM, 2:53 of playing, on crash, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 6-8, 10-12 and 35-36, and 5 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 8 times: bars 5, 29, 53, 55, 57, 69 and 2 more.
1 more fill is written out on the fills page.
75 bars across 9 sections: 54 keep time, 8 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 30-42.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
75 bars, about 2:53 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
5 fills to learn, played 8 times: bars 5, 29, 53, 55, 57, 69 and 2 more.