94 bars of 4/4 at 110 BPM, about 3:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 52-54, 56-59 and 77-79, and 2 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 7 times: bars 20, 23, 45, 67, 70, 92 and 1 more.
94 bars across 13 sections: 67 keep time, 7 are fills, 3 are stops and 5 are silent. The longest unbroken stretch of time is bars 78-91.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
94 bars, about 3:25 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 20, 23, 45, 67, 70, 92 and 1 more.