149 bars of 4/4 at 120 BPM, about 4:58 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 30-32, 34-36 and 38-40, and 13 more places -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 7 times: bars 49, 76, 96, 122, 123, 129 and 1 more.
149 bars across 16 sections: 118 keep time, 7 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 11-28.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
149 bars, about 4:58 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 49, 76, 96, 122, 123, 129 and 1 more.