150 bars of 4/4 at 131 BPM, about 4:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-6, 16 and 18, and 6 more places -- 8.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 28 times: bars 4, 19, 23, 35, 51, 53 and 22 more.
15 more fills are written out on the fills page.
150 bars across 19 sections: 91 keep time, 28 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 121-132.
131 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 55 out of 100; the rest of the number is everything around it.
150 bars, about 4:34 at the written tempo. The course breaks it into 79 exercises over 27 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 28 times: bars 4, 19, 23, 35, 51, 53 and 22 more.