177 bars of 6/4 -- not four -- at 74 BPM, 12:31 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-15, 18-19 and 26-27, and 4 more places -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 27 times: bars 21, 25, 29, 45, 60, 62 and 21 more.
11 more fills are written out on the fills page.
177 bars across 17 sections: 60 keep time, 27 are fills, 15 are stops and 62 are silent. The longest unbroken stretch of time is bars 47-53.
74 BPM, in 6/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
177 bars, about 12:31 at the written tempo. The course breaks it into 61 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 27 times: bars 21, 25, 29, 45, 60, 62 and 21 more.