90 bars of 4/4 at a walking 105 BPM, 3:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 43-45, and 3 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 24 times: bars 4, 5, 6, 7, 8, 9 and 18 more.
3 more fills are written out on the fills page.
90 bars across 9 sections: 48 keep time, 24 are fills, 5 are stops and 6 are silent. The longest unbroken stretch of time is bars 47-53.
105 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
90 bars, about 3:26 at the written tempo. The course breaks it into 32 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 24 times: bars 4, 5, 6, 7, 8, 9 and 18 more.