117 bars of 4/4 at a walking 104 BPM, 6:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 26-28, 30-32 and 38-43 -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 25 times: bars 3, 4, 5, 6, 7, 8 and 19 more.
4 more fills are written out on the fills page.
117 bars across 8 sections: 38 keep time, 25 are fills, 2 are stops and 46 are silent. The longest unbroken stretch of time is bars 38-45.
104 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
117 bars, about 6:37 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 25 times: bars 3, 4, 5, 6, 7, 8 and 19 more.