156 bars at 200 BPM -- fast, and 3:07 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15, 17 and 19, and 18 more places -- 16.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 41 times: bars 8, 20, 21, 22, 38, 39 and 35 more.
10 more fills are written out on the fills page.
156 bars across 20 sections: 65 keep time, 41 are fills, 24 are stops and 11 are silent. The longest unbroken stretch of time is bars 27-37.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
156 bars, about 3:07 at the written tempo. The course breaks it into 55 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 41 times: bars 8, 20, 21, 22, 38, 39 and 35 more.