125 bars, 7:49, at 64 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 25, 27 and 81, and 9 more places -- 10.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 31 times: bars 28, 29, 30, 31, 32, 52 and 25 more.
7 more fills are written out on the fills page.
125 bars across 12 sections: 66 keep time, 31 are fills, 4 are stops and 7 are silent. The longest unbroken stretch of time is bars 1-13.
64 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
125 bars, about 7:49 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 31 times: bars 28, 29, 30, 31, 32, 52 and 25 more.