76 bars of 4/4 at a walking 82 BPM, 3:34 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-21, 44-49 and 56-57, and 1 more place -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 8, 9, 10, 11, 12, 38 and 4 more.
1 more fill is written out on the fills page.
76 bars across 12 sections: 50 keep time, 10 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 52-59.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
76 bars, about 3:34 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 8, 9, 10, 11, 12, 38 and 4 more.