58 bars of 4/4 at a walking 90 BPM, 2:35 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 16, 18 and 20, and 2 more places -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 20 times: bars 3, 4, 6, 13, 14, 22 and 14 more.
3 more fills are written out on the fills page.
58 bars across 7 sections: 29 keep time, 20 are fills and 2 are silent. The longest unbroken stretch of time is bars 42-53.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
58 bars, about 2:35 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 3, 4, 6, 13, 14, 22 and 14 more.