108 bars of 4/4 at 130 BPM, about 3:15 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-7 and 9-15 -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 18 times: bars 8, 16, 20, 23, 42, 66 and 12 more.
8 more fills are written out on the fills page.
108 bars across 12 sections: 67 keep time, 18 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 26-36.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
108 bars, about 3:15 at the written tempo. The course breaks it into 50 exercises over 18 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 18 times: bars 8, 16, 20, 23, 42, 66 and 12 more.