178 bars of 3/4 -- not four -- at 200 BPM, 3:56 of playing on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 8-10 and 15-17, and 5 more places -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 10 times: bars 64, 65, 72, 73, 80, 81 and 4 more.
178 bars across 10 sections: 101 keep time, 10 are fills, 38 are stops and 19 are silent. The longest unbroken stretch of time is bars 50-56.
200 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
178 bars, about 3:56 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 10 times: bars 64, 65, 72, 73, 80, 81 and 4 more.