69 bars, 3:57, at 70 BPM: slow enough that every note is exposed. Crash, hi-hat, snare and kick and nothing else.
The beat the song is built on is one bar, played through bars 46-59 -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 2 times: bars 44 and 69.
69 bars across 9 sections: 50 keep time, 2 are fills, 1 is a stop and 6 are silent. The longest unbroken stretch of time is bars 47-59.
70 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
69 bars, about 3:57 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 2 times: bars 44 and 69.