112 bars of 4/4 at 150 BPM, about 2:59 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 9-16, 35-36 and 63-64, and 3 more places -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 4, 8, 32, 36, 62, 64 and 6 more.
2 more fills are written out on the fills page.
112 bars across 13 sections: 75 keep time, 13 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 18-31.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
112 bars, about 2:59 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 4, 8, 32, 36, 62, 64 and 6 more.