122 bars of 4/4 at 145 BPM, about 3:15 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 43-57, 69-83 and 106-113 -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 24 times: bars 12, 16, 20, 21, 22, 23 and 18 more.
9 more fills are written out on the fills page.
122 bars across 15 sections: 79 keep time, 24 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 44-58.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
122 bars, about 3:15 at the written tempo. The course breaks it into 52 exercises over 13 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 24 times: bars 12, 16, 20, 21, 22, 23 and 18 more.