130 bars at 172 BPM -- fast, and 3:01 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-16, 18-23 and 42-48, and 1 more place -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 22 times: bars 9, 25, 33, 41, 49, 57 and 16 more.
11 more fills are written out on the fills page.
130 bars across 8 sections: 53 keep time, 22 are fills, 47 are stops and 2 are silent. The longest unbroken stretch of time is bars 12-17.
172 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
130 bars, about 3:01 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 22 times: bars 9, 25, 33, 41, 49, 57 and 16 more.