155 bars, 8:42, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 43-45, 47-49 and 51-53, and 5 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 21 times: bars 1, 2, 5, 6, 35, 36 and 15 more.
5 more fills are written out on the fills page.
155 bars across 15 sections: 103 keep time, 21 are fills, 4 are stops and 11 are silent. The longest unbroken stretch of time is bars 21-34.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
65 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 62 out of 100; the rest of the number is everything around it.
155 bars, about 8:42 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 21 times: bars 1, 2, 5, 6, 35, 36 and 15 more.